"Sherman, fire up the Wayback Machine!"


A return to New Orleans in May 1972!


Almost at the end of my stay at Tulane ...


In the months before two friends (George Schmidt and Rick Mackie) and I started up

a little musical group: The New Leviathon Oriental Fox-Trot Orchestra.


What a trip that was!

George was working on his Masters in Art History, and in the University's Jazz Archives (his hobby), had discovered some sheet music piles that were stamped: "Oriental Fox-trots."


Well, ...

We were about to return to a period of "exotisme," New Orleans style.


Soon the three of us were hand copying parts for various instruments in a little orchestra which included xylophone, wood blocks and a large gong.


And about a week later, we had gathered some musician friends together one Saturday morning in McAlister Auditorium. 


We played one piece after another, and could barely get to the end of each without bursting out laughing with glee! (Listening to these pieces below, may get you the same reaction).


So soon, we put it all together, and gave our first concert.

This is music composed from after the War of 1812, to just before WW-1.

During the music, some people moved into the aisles in front of the stage and started dancing, you guessed it: fox-trots.


This first concert was well received, and we were invited to play at the New Orleans Jazz Festival that Spring.


Well, I was going to stay in New Orleans for a while after graduation, do some music, relax, ... but that was not going to fit with parental plans for the graduate.


Anyway, George Schmidt kept it going, replacing musicians as they came and went, and

the New Leviathon continues to this very day. Here is their site. 


A year after our concert, the movie business picked up "The Entertainer" by Scott Joplin (George had rediscovered it in the Jazz Archives) and used it as the theme in "The Sting" in 1973.


The New Leviathon has played every New Orleans Jazz Festival since, toured in Europe once or twice, and also worked with Woody Allen for one of his movies (which one, I don't know).


Today, I got back into this, because I came across our first album, a recording of our first concert. I have a turntable that permits conversion to MP3 files, so you can have a listen.

Perhaps I enjoyed it more than someone else might, but that's just a personal thing.



Side 1 

Side 1 program






Side 2

Side 2 program
















The first song on Side 2 is "Dardanella (An Echo from the East)" and since that number was a little slow, I decided to walk back stage in the middle, feigning a broken string, put on a pink kimono, and walked back on stage to play a solo cadenza, much to everyone's surprise in the orchestra, and delight in the audience. (That starts at 2min, 40sec in the MP3 file below).


And of course, leaving the best for last: the Hyena Stomp.



I'm listed on the record jacket as "Mr. Kay Moneaux, the Famous Belgian virtuoso."


George did a nice job on the vocal of "In China."

(I like the lyrics: 'In China, ... be bride and groom, no more gloom, when the flow-ers bloom.') 


We played "Oriental Moon" in the dark, with a light shining on the mirror ball as it spun above us.


It seemed to have gone over pretty well.


Here are some pictures from that era:



Founders in 1972


The founding members in 1972







Our first concert, a fuzzy picture from the record jacket: pagoda backdrop, mirror ball, Jesuit priests from across the street at Loyola (stripped to the waist, with turbans, balloon pants and fanning us while we played). White suits and fezzes.



Below, some parts of the record jacket, giving the titles of the 12 musical numbers that we played. Pretty amusing at the time ...



And after my departure, the beat went on: 6 more albums, Amazon, Wikipedia.



Ah, college ...


I even got two pages in the Jambalaya, the Tulane yearbook for 1972.


Yearbook p 314 - Jambalaya 1972



Someone got a shot of me practicing in my favorite location:



Yearbook p 315 - Jambalaya 1972


Standing atop one of the bookshelves in the Music Department's Library. Nice acoustics.


And an excellent Amati violin that they had loaned me without blinking an eye.


"Show me your Student ID, and sign the card." I did.


The day we left New Orleans (in a hurry) I dropped it off at a friend's apartment and asked that he bring it back to the Library.


I suppose he did.



Certainly, not everything in life is fun.

Some things were.



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Neurologic problems and COVID-19

Today, Mike shared an article from Financial Times on this subject.


Yesterday, in my presentation which was a Q & A session on "long-term" COVID-19,

part of that of course addressed neurologic findings.


I selected those parts or slides, and commented on them, which you can view here below.





The Financial Times article includes the two "camps" that I mentioned above, but

with a final word which is that no one has a solution yet, and we need to await more



Here is a link to the entire presentation on this subject of "long-term" COVID-19.

It's a lot cleaner than the above, but lasts 53 minutes, so have a cup of coffee or tea handy!



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Just 220 km towards the west

240 km by road travel ...







In the remake:

Pete plays Victor Lazlo,

Ilsa is of course Trish,

Someone at Pfizer would like to play Capitaine Reynaud, 

And Rick is played by Mike, who stays to work things out with the Moroccan virus Gestapo, before his departure.


The plane’s destination has been changed from Paris to the UK.


Clearly, it’s a story about migrants.


The ending scene of this scenario is still being written.




Play it Sam! I can take it!





DECCA - As Time Goes By




Dooley Wilson




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"How did we get into this mess?"



Problem solving is often an exercise that displays differences in individual personality styles.


We are formed from early in our childhood, to witness, study, and incorporate problem solving.


Chimpanzees do this as well.


Here's an example from those earlier days ...


There may be several lessons to be learned in this little video.

(Watching full screen is best).




Walt Disney at his best, forming the hearts and minds of America.



And of course, problem solving began even before Walt was born.







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Betadine Nasal Spray



Before the virus has finished moving through the linings of nose, sinuses, eustachian tubes of the ears, ...


let's kill it.

Let's kill it with betadine (povidone iodine).


Just another hairbrained idea from that guy in Belgium? 





No, more than that source, there is some Science behind the idea.


In Vitro Efficacy of a Povidone-Iodine Nasal Antiseptic for Rapid Inactivation of SARS-CoV-2


    one more ...


Povidone Iodine Mouthwash, Gargle, and Nasal Spray to Reduce Nasopharyngeal Viral Load in Patients With COVID-19



My experience in the past with Betadine (povidone iodine) was when we would paint a belly with it in preparation for an operation. And there, that was 10% povidone iodine.


Next door in another OR, an ENT surgeon was preparing to operate on a nose.

Noses are rather dirty inside from a bacterial/ viral standpoint.


It's why polite people sneeze into a hanky.


So the ENT surgeons would swab the inside of the nose with 5% povidone iodine before even thinking about making an incision.


Nice story. But so what today?


Well today, for Trish, let's get some povidone iodine spray into that nose that now has proven SARS-CoV-2 virus harbored within. Yuck. Yeww ...


Here's how.


Prior communications this day indicate familiarity with spraying saline in one's nose for good purpose. Even better, the presence of such material on hand.


She already has this ...


Trish\\\'s Saline Sinus Rinse c ad for PI




To start from scratch in this, doing it oneself, here's a little video, fresh off the camera.





Here is a link to the above video, if needed.




Mode d'emploi


Once you have this in hand, can think of it as either treatment, or prevention.



Imagine you're in a setting with other people, not much ventilation, and no one is wearing a mask (except perhaps you).


Think of that still as rather a high risk of transmission setting. 

This will of course vary with where you are located, which variants are around, etc.

Let's keep it simple.


So, when you get out of that setting, a spritz or two in each nostril, a good nose blow and a hand wash, and you may have just stopped a viral transmission from them to you.




Now imagine that everything was just fine, and you started to feel something coming on.

Imagine you even have a test for the SARS-CoV-2 on hand. You take the test, and it's positive.


So now, you have COVID-19. That's an illness. If your test is positive but you have absolutely no symptoms, no loss of taste and smell, etc. Nothing, then that's the perfect situation in which doing the following may help keep you healthy. You don't have COVID-19 (illness); you are simply infected with the virus, and lucky so far because you don't feel sick.


Two spritzes in each nostril. Wait a bit. Blow your nose. Throw away the Kleenex. Wash or sanitize your hands.


Do this about every 8 hours for 3 to 5 days. Especially, after waking up, and before going to bed. (Which leaves a spritz session to be done at around noon).



For any questions, you have the email address.




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